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    The Sickly Female Body in Edvard Munch's The Dance of Life (1899-1900)

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    Genre
    Thesis/Dissertation
    Date
    2018
    Author
    McEwen, Rebecca
    Advisor
    Dolan, Therese, 1946-
    Committee member
    Hirsh, Sharon L.
    Department
    Art History
    Subject
    Art History
    History
    Fine Arts
    Archetype
    Edvard Munch
    Femme Fragile
    Fin De Siècle
    Materiality
    The Dance of Life
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/1879
    
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    DOI
    http://dx.doi.org/10.34944/dspace/1861
    Abstract
    In interpretations of The Dance of Life (1899-1900) by Edvard Munch, the femme fragile and the femme fatale have been considered jointly (i.e. as allusions to the cyclicality of life) or as individuals. Their unique characteristics have been recognized as such: whereas the femme fragile dons white to signify her prepubescent state and thus her innocence, the femme fatale wears red to suggest her sexuality and even her availability. Yet, scholars have failed to probe their iconographical complexities. Doing so would not only lend greater conviction to Munch’s historical identity as a Symbolist (as his archetypes would be recognized for their multivalence), but it would also reveal the didactic possibilities of the work of art itself. Given this void in the literature, the purpose of this thesis will be to elaborate on the formal and narrative qualities of the femme fragile and femme fatale in this painting. These archetypes ultimately allude to misogynistic anxieties, with the femme fragile in particular representing the sickly female body.
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