The focus of this project is to introduce the use of the Microsoft Teams platform to Surgical Intensive Care Unit (SICU) staff as a secure, hospital-sponsored method of social media communication and education in order for staff to stay connected with thier colleagues.

The purpose of this quality improvement project is to examine the effect of a standardized patient(SP) simulation on transcultural self-efficacy in undergraduate nursing students.

The purpose of this quality improvement project is to determine if an interdisciplinary , collaborative ED flow team would decrease the number of patients seeking emergency care from leaving the ED by reducing ED boarding times.

The purpose of this quality improvement project is to review the influence of COVID 19 on rates of binge drinking.

The purpose of this quality improvement project is to improve rates of CCS among clinic patients through text message invitations to schedule an appointment or to obtain a referral.

The purpose of this quality improvement project is to use an implementation bundle, including a written protocol, referral order panel , audit and feedback to support the ADA guidelines at the clinic .

The purpose of this Doctor of Nursing Practice (dnp) quality improvwment project is to inplement a structured discharge process for home discharge that includes scheduling appointments, educating on follow-up appointments, post discharge phone calls,and monitoring of patients who miss their appointments inorder to improve adherence to follow-upcare in the trauma population.

The purpose of this quality improvement project is to decrease the time from decision to admit to depart through the addition of an "Admission Nurse."

To identify studies to include or consider for this scoping review, the review team worked with a librarian (SB) to develop detailed search strategies for each database. The PRISMA-ScR extension was followed for search reporting. The librarian (SB) developed the search for PubMed (NLM) and translated the search for every database searched. The PubMed (NLM) search strategy was reviewed by the research team to check for accuracy and term relevancy. All final searches were peer-reviewed by another librarian, Rebecca Fülöp, MLIS, PhD, following the Peer Review of Electronic Search Strategies (PRESS checklist). The databases included in this search are [list of databases: PubMed (NLM), Embase (Elsevier), Web of Science Core Collection (Clarivate Analytics), Science Direct (Elsevier), CINAHL (Ebscohost), DOSS Dentistry & Oral Sciences Source (ebscohost) , and Cochrane (Wiley) using a combination of keywords and subject headings. A grey literature search included and Trip Pro Medical Database (https://www.tripdatabase.com) and Medrxiv https://www.medrxiv.org. All final searches were performed on September 11, 2024 by the librarian and were fully reported to the research team on September 13, 2024. The full search strategies as reported by the librarian are provided in Appendix(___). They are also archived at [DOI].

My dissertation considers specific forms of authorship and the novel produced amid the changes to technology, reading, and audience/author relationships in the first two decades of the twenty-first century. Synthesizing several threads of analysis—including postcolonial approaches to twenty-first century novels, explorations of authorship in literary and media studies, and growing attention throughout literary studies to global anglophone as a conceptual framework—I examine the contemporary global anglophone novel form through analyses of four authors who have global biographies, international cultural capital, and a thematically and structurally global body of work. Through analyses of Chimamanda Ngozi Adichie, Kamila Shamsie, Zadie Smith, and Bernardine Evaristo’s novels, media coverage, and other writings, I highlight the ways the contemporary global anglophone novel reflects and responds to the changing sociohistorical and cultural contexts of the twenty-first century. I demonstrate that the paratextual function of an author, their brand or reputation, is a key node in determining the value and circulation of the global anglophone novel because it acts as a site of connection between global authors, readers, novels, and institutions. As the global anglophone endures and develops as a critical category, work is needed to better outline its contours. In this dissertation, I work to illustrate one possible approach to building an understanding of the global anglophone through attention to its theorizations and articulations in the literature and author figures it produces.