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    Student Musical Experiences and Self-Efficacy in AP Music Theory

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    Genre
    Thesis/Dissertation
    Date
    2023
    Author
    Patton, Nathan M
    Advisor
    Parker, Elizabeth
    Committee member
    Buonviri, Nathan
    Confredo, Deborah
    Department
    Music Education
    Subject
    Music education
    AP music theory
    Aural skills
    Self-efficacy
    Sight-singing
    Student achievement
    Student experiences
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/8604
    
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    DOI
    http://dx.doi.org/10.34944/dspace/8568
    Abstract
    The purpose of this case study was to examine musical experiences which may affect student perceptions of self-efficacy in Advanced Placement (AP) Music Theory. Four students from a single AP Music Theory class participated in interviews where they discussed experiences in high school music study. Interview topics included ensemble participation in high school, outside-school involvement in musical activities and study, and perceptions of success in the course and preparation for the AP Music Theory examination. Specific research questions addressed in the study were: (1) What course skills addressed in AP Music Theory do students from different musical backgrounds feel most prepared to demonstrate within the context of the AP Music Theory examination? (2) What do student participants from different musical backgrounds cite as specific challenges in AP Music Theory? (3) How do students perceive their own musical backgrounds in relationship to their perceived success in AP Music Theory? Findings suggested that prior musical experiences and a positive, low-stress classroom atmosphere contributed to participants’ confidence completing fundamental performance tasks in AP Music Theory, and that those influences affected participants’ feelings of self-efficacy in the class and on the AP Music Theory examination. Conversely, participants’ application of prior knowledge and previously developed musical skills to more difficult AP-style performance tasks solicited feelings of self-doubt and lower levels of self-efficacy. Implications of this study suggest that teachers of school music ensembles, applied lessons, and AP Music Theory should consider student self-efficacy when designing instruction and planning rehearsals or lessons. Researchers might consider measuring student feelings of self-efficacy in specific performance tasks, and the ways in which teachers can help students to develop self-efficacy in music classes.
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