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dc.contributor.advisorJhala, Jayasinhji
dc.creatorBowles, Laurian Rebekah
dc.date.accessioned2020-10-21T14:26:48Z
dc.date.available2020-10-21T14:26:48Z
dc.date.issued2011
dc.identifier.other864885022
dc.identifier.urihttp://hdl.handle.net/20.500.12613/842
dc.description.abstractWomen have legendary roles as traders who financially dominate the sale of various market goods in West Africa. Head porters are young women from Ghana's rural northern region who work as human transporters in the various markets in urban areas throughout the country. Kayayei (female head porters) who work at these famed markets are the focus of this dissertation. The north of Ghana is the agricultural breadbasket of the country, with strong Islamic influences that thrive in dispersed, mostly rural ethnic enclaves. This contrasts sharply with the service manufacturing and trade economies that mark Christian influenced southern Ghana. As young women migrants arrive in Accra, this dissertation focuses on narratives of head porters as they confront the multi-ethnic, hierarchical social climates of the city, particularly Accra's largest shopping venue, Makola Market. This dissertation uses theories in phenomenology, informed by feminist anthropology, to consider the political economy of Ghana in order to examine how head porter's lives are grounded with the development history and the spread of capitalism in the nation-state. Throughout this dissertation, attention is given to the widespread informalization of the economy in the nation-state and the role of head porters in these processes. Using a methodology of collaborative photography with kayayei, this dissertation examines the politics of visibility and analyzes the kinds of skills these women develop in order to survive and negotiate the socio-economic hierarchies of urban space. By situating the theoretical and methodological concerns of this research within the social realities of rural-urban migrants, this dissertation explores migration as a sensibility that acts upon various social terrains at markets in Accra, Ghana.
dc.format.extent213 pages
dc.language.isoeng
dc.publisherTemple University. Libraries
dc.relation.ispartofTheses and Dissertations
dc.rightsIN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectAnthropology, Cultural
dc.subjectAfrican Studies
dc.subjectWomen's Studies
dc.subjectGhana
dc.subjectMakola
dc.subjectPhenomenology
dc.subjectPhotography
dc.subjectPorter
dc.subjectWomen
dc.titleWIDENING THE LENS: EMBODIMENTS OF GENDER, WORK AND MIGRATION WITH MARKET WOMEN IN GHANA
dc.typeText
dc.type.genreThesis/Dissertation
dc.contributor.committeememberStoller, Paul
dc.contributor.committeememberUlysse, Gina Athena
dc.contributor.committeememberSanders, Rickie
dc.contributor.committeememberWilliams-Witherspoon, Kimmika
dc.description.departmentAnthropology
dc.relation.doihttp://dx.doi.org/10.34944/dspace/824
dc.ada.noteFor Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu
dc.description.degreePh.D.
refterms.dateFOA2020-10-21T14:26:48Z


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