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    African-American Utopian Literature: A Tradition Largely Lost and Forgotten, yet Pertinent in the Pursuit of Revolutionary Change

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    Oyebade_temple_0225E_15027.pdf
    Embargo:
    2024-08-11
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    Genre
    Thesis/Dissertation
    Date
    2022
    Author
    Oyebade, Olufemi
    Advisor
    Joyce, Joyce Ann, 1949-
    Committee member
    Williams, Roland Leander
    Henry, Katherine, 1956-
    Rutledge, Gregory E.
    Department
    English
    Subject
    African American studies
    Black studies
    American literature
    Naylor, Gloria
    Metanarratives
    Butler, Octavia
    Morrison, Toni
    Utopian literature
    Hurston, Zora Neale
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/8019
    
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    DOI
    http://dx.doi.org/10.34944/dspace/7991
    Abstract
    This dissertation seeks to contribute to recent scholarship by demonstrating that an African-American utopian tradition persists in the twentieth and twenty-first centuries, particularly in the works of African-American women writers. If liberation remains a fundamental theme in African-American literature – a definitive stance espoused by W. E. B. Du Bois and a host of other prominent African-American scholars, but also upheld by this dissertation – then such a consistently recurring goal has only been marginally completed, at best, in the United States. Despite proclamations of a universally attainable American Dream, African Americans remain disenfranchised by prison, education, and court systems as well as other integral institutions found within the United States.With this dilemma in mind and given the potentially subversive power of literature, this dissertation argues that the African-American utopian tradition in particular functions as a useful critical lens through which one can examine the often-elusive goal of revolutionary change. This lens raises the pertinent questions that one must answer in order to strive towards one’s utopia, and also exposes the systemic and thus conventional parameters latent in the too-familiar antithetical dystopias about which so many African-American narratives admonish their audiences to confront or, if they are lucky enough, avoid altogether. By focusing on a thematic continuum represented by the utopian small towns found in Zora Neale Hurston’s Their Eyes Were Watching God (1937), Gloria Naylor’s Mama Day (1988), Octavia Butler’s Parable of the Sower (1993) and Parable of the Talents (1998), and Toni Morrison’s Paradise (1997), this dissertation encapsulates a utopian tradition that inscribes race, gender, and sexuality, onto the African-American literary tradition.
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