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    THE “OTHER” EXCERPTS — A GUIDE TO COMMONLY PROGRAMMED BUT UNCOMMONLY ASKED-FOR CELLO EXCERPTS

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    Chen_temple_0225E_14858.pdf
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    Genre
    Thesis/Dissertation
    Date
    2022
    Author
    Chen, Chen
    Advisor
    Lindorff, Joyce, 1950-
    Solow, Jeffrey
    Committee member
    De Varon, Alexander, 1961-
    Krzywicki, Jan
    Department
    Music Performance
    Subject
    Music
    Audition
    Cello
    Excerpts
    Orchestra
    Uncommon
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/7739
    
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    DOI
    http://dx.doi.org/10.34944/dspace/7711
    Abstract
    This paper aims to assist cellists taking orchestral auditions by providing a detailed analysis of how to approach orchestral excerpts that, while standard, are not as commonly encountered in audition settings. The excerpts are Beethoven: Symphony No. 9 (II. Molto vivace and IV. Presto); Brahms: Variations on a Theme by Haydn (Variation V. Vivace); Mahler: Symphony No. 2 (I. Allegro maestoso); Shostakovich: Symphony No. 5 (I. Moderato–Allegro non troppo); and lastly Bartók: Concerto for Orchestra (V. Finale). Each excerpt is organized into individual chapters containing comments and suggestions on basic technical and musical performance challenges. I provide detailed and structured advice for practicing the above excerpts, offer advice on musical refinement, and address alternative musical interpretations based on recordings sampled. This provides a framework for the practice of aspiring orchestral cellists. Forming good practice habits and developing a personalized practice routine when facing new excerpts (or other music) is crucial to orchestral audition preparation, and my goal is to provide cellists with the tools necessary to do this.
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