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dc.creatorLevitt, Laura S.
dc.date.accessioned2021-05-21T19:04:53Z
dc.date.available2021-05-21T19:04:53Z
dc.date.issued1997-10
dc.identifier.citationLevitt, Laura. "Redressing Jewish Difference in Tania Modleski's "Cinema and the Dark Continent"." Journal of Religion and Film 1, no. 2 (1997).
dc.identifier.citationAvailable at: https://digitalcommons.unomaha.edu/jrf/vol1/iss2/5
dc.identifier.urihttp://hdl.handle.net/20.500.12613/6426
dc.description.abstractThis essay addresses what Jewish Studies and Religion scholars have to contribute to cultural discourse about film. Through a careful reading of feminist critic Tania Modleski's essay, this article demonstrates some of the blindspots in film studies when it comes to depictions of Jews, Jewishness, and Judaism. By addressing the ambivalent status of Jewishness in Modleski's work, the essay offers another way of reading Jewishness in not only the Jazz Singer and Crossing Delancy, but in critical discourse more generally.
dc.format.extent20 pages
dc.languageEnglish
dc.language.isoeng
dc.relation.ispartofFaculty/ Researcher Works
dc.relation.haspartJournal of Religion and Film, Vol. 1, Iss. 2
dc.relation.isreferencedbyUniversity of Nebraska - Omaha
dc.rightsAll Rights Reserved
dc.titleRedressing Jewish Difference in Tania Modleski's "Cinema and the Dark Continent"
dc.typeText
dc.type.genreJournal article
dc.description.departmentReligion
dc.relation.doihttp://dx.doi.org/10.34944/dspace/6408
dc.ada.noteFor Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu
dc.description.schoolcollegeTemple University. College of Liberal Arts
dc.temple.creatorLevitt, Laura S.
refterms.dateFOA2021-05-21T19:04:53Z


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