Amphion and Zethos: An Orchestral Work Reimagined as a Concerto for Five Improvisers
dc.contributor.advisor | Greenbaum, Matthew, 1950- | |
dc.creator | Laster, Andrew Jay | |
dc.date.accessioned | 2020-10-19T15:58:03Z | |
dc.date.available | 2020-10-19T15:58:03Z | |
dc.date.issued | 2014 | |
dc.identifier.other | 914186467 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12613/591 | |
dc.description | Accompanied by two .pdf scores: 1) Amphion.pdf. 2) Zethos.pdf. | |
dc.description.abstract | This monograph explores the integration of improvisation and orchestral music. It consists of two closely related large-scale compositions, Amphion and Zethos, and an accompanying essay. Amphion, for orchestra, is in three movements and includes frequent references to styles and genres of the Baroque era, specifically the French dance suite. Zethos, for five improvisers and chamber orchestra, includes the three movements of Amphion, in toto, plus five additional concertato sections with improvisation. These sections have multiple player configurations and were composed for specific players with distinct improvisational skills. These sections also fulfill specific functions in relation to the three fully notated movements of Amphion: as introductions, codas, transitions, and development. The accompanying essay considers issues relevant to Amphion's and Zethos's rehearsal and performance, and examines their form and melodic/harmonic language. It also discusses the historical precedent and aesthetic rationale for improvisation in orchestral music, and the notation of improvisation in Zethos. | |
dc.format.extent | 60 pages | |
dc.language.iso | eng | |
dc.publisher | Temple University. Libraries | |
dc.relation.ispartof | Theses and Dissertations | |
dc.rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available. | |
dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | |
dc.subject | Music | |
dc.subject | Performing Arts | |
dc.subject | Composition | |
dc.subject | Concerto | |
dc.subject | Improvisation | |
dc.subject | Jazz | |
dc.subject | Orchestra | |
dc.subject | Theory | |
dc.title | Amphion and Zethos: An Orchestral Work Reimagined as a Concerto for Five Improvisers | |
dc.type | Text | |
dc.type.genre | Thesis/Dissertation | |
dc.contributor.committeemember | Klein, Michael Leslie | |
dc.contributor.committeemember | Brodhead, Richard, 1947- | |
dc.contributor.committeemember | Abramovic, Charles | |
dc.contributor.committeemember | Dilworth, Rollo A. | |
dc.description.department | Music Composition | |
dc.relation.doi | http://dx.doi.org/10.34944/dspace/573 | |
dc.ada.note | For Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu | |
dc.description.degree | D.M.A. | |
refterms.dateFOA | 2020-10-19T15:58:03Z |