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dc.contributor.advisorLatham, Edward David
dc.creatorLeibensperger, Peter
dc.date.accessioned2020-10-05T20:49:07Z
dc.date.available2020-10-05T20:49:07Z
dc.date.issued2008
dc.identifier.other864982812
dc.identifier.urihttp://hdl.handle.net/20.500.12613/437
dc.descriptionThis research project was completed as part of the course, Music Studies (4782).
dc.format.extent29 pages
dc.languageEnglish
dc.language.isoeng
dc.publisherTemple University. Libraries
dc.relation.ispartofTemple Undergraduate Research Prize Winners
dc.rightsIN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.titleMusical Ambiguity as Poetic Reflection: Mahler's Kindertotenlieder, No. 1, 'Nunn will die Sonn' so hell aufgeh'n!'
dc.typeText
dc.type.genreResearch project
dc.contributor.committeememberFolio, Cynthia
dc.description.departmentMusic
dc.relation.doihttp://dx.doi.org/10.34944/dspace/419
dc.ada.noteFor Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu
dc.description.awardThe Library Prize for Undergraduate Research
dc.description.schoolcollegeBoyer College of Music and Dance
refterms.dateFOA2020-10-05T20:49:07Z


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