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    "The Full Has Never Been Told": An Arts-Based Narrative Inquiry Into the Academic and Professional Experiences of Black People in American Music Therapy

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    Genre
    Thesis/Dissertation
    Date
    2019
    Author
    Webb, Adenike Ayana
    Advisor
    Magee, Wendy
    Committee member
    Brooks, Darlene M.
    Dilworth, Rollo A.
    Kay, Lisa
    Department
    Music Therapy
    Subject
    Music Therapy
    Arts-based Research
    Black/african-american
    Music Therapy
    Poetic Inquiry
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/4020
    
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    DOI
    http://dx.doi.org/10.34944/dspace/4002
    Abstract
    The purpose of this study was to examine the ways in which the academic and professional experiences of Black people in American music therapy reflect current attitudes within the field towards diversity and cultural awareness, and how understanding those experiences can lead to enhanced, culturally sensitive practice. An arts-based narrative inquiry methodology using poetry was employed as a means to understand the experiences of Black people in the field through artistic forms that invite readers to enter the affective worlds of the participants. A total of 10 music therapy students, clinicians and educators participated in open-ended, semi-structured interviews. Transcripts of these interviews were analyzed for thematic material as well as to provide content for poems in the participants’ voices that described their experiences. Additionally, the researcher created poems responding to each participant that reflected on aspects of the interactions, content and sub-text of the interviews. All poems were analyzed for thematic material. That material was compared with previously derived themes out of which seven main themes emerged. Those themes are: things and people are not as they seem; being the only one/one of a few; self-definition versus being defined by others; adding value to the field; dealing with the status quo; calling for greater cultural awareness, acceptance and equality; and importance of support. Findings indicated that participants did not feel as if they fully belonged in the profession and that the music therapy community inconsistently recognized and addressed the need for diversity, cultural awareness and cultural sensitivity. Implications for music therapy training and practice, along with recommendations for the field and future research are also presented.
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