Enrique Jorrín and Cha-Cha-Chá: Creation, Historical Importance, and Influences on American Music Education
| dc.contributor.advisor | Confredo, Deborah A. | |
| dc.creator | Torchon, Jeffrey M. | |
| dc.date.accessioned | 2020-11-05T19:50:30Z | |
| dc.date.available | 2020-11-05T19:50:30Z | |
| dc.date.issued | 2015 | |
| dc.identifier.other | 958157453 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.12613/3976 | |
| dc.description.abstract | One of the most distinctive musical genres that originated in Cuba over the last century has been Cha-Cha-Chá, which was created by Enrique Jorrín in the 1950s. The popularity of this music has grown considerably since its genesis, evidenced by the vast array of repertoire associated with the style of music, the multitude of bands performing it and its prevalence in popular culture. The music has traveled the world via aural transmission; advances in technology have helped to disseminate Cha-Cha-Chá and have contributed to its prevalence. Very little research—particularly research written in the English language—exists on this genre and its creator. Due to its musical significance and social impact, it is important to understand Cha-Cha-Chá’s place in modern Cuba and how it has been preserved over time. The purpose of this study is to discuss Enrique Jorrín’s influence on the creation and performance of Cha-Cha-Chá, and to discuss the importance of Cha-Cha-Chá in American music education. | |
| dc.format.extent | 78 pages | |
| dc.language.iso | eng | |
| dc.publisher | Temple University. Libraries | |
| dc.relation.ispartof | Theses and Dissertations | |
| dc.rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available. | |
| dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | |
| dc.subject | Education, Music | |
| dc.subject | Music | |
| dc.subject | American Music Education | |
| dc.subject | Cha-cha-chá | |
| dc.subject | Cha-cha-chá | |
| dc.subject | Cuba | |
| dc.subject | Enrique Jorrín | |
| dc.subject | Music | |
| dc.title | Enrique Jorrín and Cha-Cha-Chá: Creation, Historical Importance, and Influences on American Music Education | |
| dc.type | Text | |
| dc.type.genre | Thesis/Dissertation | |
| dc.contributor.committeemember | Buonviri, Nathan O. | |
| dc.contributor.committeemember | Dilworth, Rollo A. | |
| dc.description.department | Music Education | |
| dc.relation.doi | http://dx.doi.org/10.34944/dspace/3958 | |
| dc.ada.note | For Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu | |
| dc.description.degree | M.M. | |
| refterms.dateFOA | 2020-11-05T19:50:30Z |
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