Show simple item record

dc.contributor.advisorHall, Marcia B.
dc.contributor.advisorWest, Ashley D.
dc.creatorPesce, Amanda-Josephine Michelle
dc.date.accessioned2020-11-04T17:01:00Z
dc.date.available2020-11-04T17:01:00Z
dc.date.issued2016
dc.identifier.other974919060
dc.identifier.urihttp://hdl.handle.net/20.500.12613/3399
dc.description.abstractNorthern European and Italian Renaissance art have tended to be treated art historically as two opposing styles. Rooted in statements by artists such as Michelangelo and Leon Battista Alberti, it has become a common misconception that Italians did not hold Northern European art in high regard during the late fifteenth and early sixteenth centuries. This thesis seeks to complicate and critique this conventional understanding by looking at the similarities and transalpine exchanges between the artistic styles and practices of Rogier van der Weyden (c. 1400-1464) of Brussels and Cosmè Tura (c. 1430-1495) of Ferrara. By looking at the writings of contemporary humanists at the Ferrarese court and technical analysis of select paintings, it is evident that Cosmè Tura strove to emulate and incorporate aspects of Rogier van der Weyden’s northern manner, especially in his handling of oil paint, use of underdrawings, and emotive effects. By reconsidering this cross-cultural relationship, this thesis demonstrates that the traditionally constructed animosity between Northern and Southern Renaissance art is a common misperception and a oversight in art history.
dc.format.extent67 pages
dc.language.isoeng
dc.publisherTemple University. Libraries
dc.relation.ispartofTheses and Dissertations
dc.rightsIN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectArt History
dc.subjectArt History
dc.subjectCosme Tura
dc.subjectCross Cultural Connections
dc.subjectItalian
dc.subjectReniassance
dc.subjectRogier Van Der Weyden
dc.titleRogier van der Weyden: A Netherlandish Artist and the Ferrarese Court
dc.typeText
dc.type.genreThesis/Dissertation
dc.contributor.committeememberWest, Ashley D.
dc.description.departmentArt History
dc.relation.doihttp://dx.doi.org/10.34944/dspace/3381
dc.ada.noteFor Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu
dc.description.degreeM.A.
refterms.dateFOA2020-11-04T17:01:00Z


Files in this item

Thumbnail
Name:
TETDEDXPesce-temple-0225M-12706.pdf
Size:
1.984Mb
Format:
PDF

This item appears in the following Collection(s)

Show simple item record