Show simple item record

dc.contributor.advisorAsante, Molefi Kete, 1942-
dc.creatorNicholas, Alice Lynn
dc.date.accessioned2020-11-04T17:00:50Z
dc.date.available2020-11-04T17:00:50Z
dc.date.issued2019
dc.identifier.urihttp://hdl.handle.net/20.500.12613/3338
dc.description.abstractWord coding can be traced to the ancient Kemetic practice of steganography (referring to hiding place or hidden message). Unless the reader is aware of the meaning, the Coded Word can often appear as just art. Afrocentric scholarship however, also incorporates the idea of functionality. Aesthetics, throughout African history, and to this day, serve a purpose. The beautiful quilts sewn by enslaved Black women served dual functions, as bed coverings and as symbols of resistance and liberation. The decorative wrought-ironwork found on gates and doors throughout the United States serves as a Sankofic reminder and protector. The highly coded language in the aesthetics of the Black Power/Black Arts Movement, shifted paradigms. Though the practice of word coding remains an active part of contemporary Black culture, there is a disconnection between the action and the aim (or function); a direct result of the destructive efforts of colonization. Today’s racially charged and oftentimes dangerous climate calls for a reexamination of word coding as a liberatory tool. I created the theory of the Coded Word to analyze three novels by Black women who are unique in their forms of word coding, just as they are characteristically distinct in their forms of expression. The findings for the three novels have resulted in the first three entries into the Glossary of the Coded Word, a resource to be used by Black people in resistance to oppression and in the struggle for liberation of all Black people.
dc.format.extent146 pages
dc.language.isoeng
dc.publisherTemple University. Libraries
dc.relation.ispartofTheses and Dissertations
dc.rightsIN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectAfrican American Studies
dc.subjectAfrocentricity
dc.subjectBlack Women's Literature
dc.subjectLiterary Theory
dc.subjectResistance
dc.subjectThe Coded Word
dc.titleLIBERATORY EXPRESSIONS: BLACK WOMEN, RESISTANCE AND THE CODED WORD, AN AFRICOLOGICAL EXAMINATION
dc.typeText
dc.type.genreThesis/Dissertation
dc.contributor.committeememberMazama, Ama, 1961-
dc.contributor.committeememberJohnson, Amari
dc.contributor.committeememberNehusi, Kimani S. K.
dc.contributor.committeememberTemple, Christel N.
dc.description.departmentAfrican American Studies
dc.relation.doihttp://dx.doi.org/10.34944/dspace/3320
dc.ada.noteFor Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu
dc.description.degreePh.D.
refterms.dateFOA2020-11-04T17:00:50Z


Files in this item

Thumbnail
Name:
TETDEDXNicholas-temple-0225E-1 ...
Size:
1.363Mb
Format:
PDF

This item appears in the following Collection(s)

Show simple item record