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dc.contributor.advisorDolan, Therese
dc.creatorDiMarco, Christa Rose
dc.date.accessioned2020-11-03T16:23:51Z
dc.date.available2020-11-03T16:23:51Z
dc.date.issued2015
dc.identifier.other958156686
dc.identifier.urihttp://hdl.handle.net/20.500.12613/2786
dc.description.abstractIn Painting in Paris: Vincent Van Gogh, 1886-1888, Christa DiMarco explores the two-year period Van Gogh lived and worked in Paris. The paintings the artist made in The Netherlands, where he lived prior to Paris, and those he produced in Arles, where he moved afterward, usually receive scholarly attention. The imagery from the artist’s time in the capital is generally marginalized. DiMarco considers how and why the artist used a brighter palette and energetic brushwork while painting in Paris. Considering that his artistic practice spanned only a decade from 1880 to 1890, the artist’s time in the capital represents a significant period of growth in terms of his engagement with the art market, his exposure to avant-garde imagery, and his understanding of Symbolist theory in the visual arts. Van Gogh accomplished significant goals in Paris, though some of his well-developed imagery does not necessarily figure into discussions regarding the canonical paintings of the artist’s body of work. Attention to the Paris-period not only locates Van Gogh’s pictorial development within the context of the Impressionists and Neo-Impressionists, but also establishes the ways in which the artist diverged from the artistic aims of the Parisian avant-garde, such as Claude Monet and Camille Pissarro, as he developed his Symbolic approach.
dc.format.extent479 pages
dc.language.isoeng
dc.publisherTemple University. Libraries
dc.relation.ispartofTheses and Dissertations
dc.rightsIN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectArt History
dc.subjectAllotments
dc.subjectImpressionism
dc.subjectIndustry
dc.subjectNeo-impressionism
dc.subjectParis
dc.subjectSymbolism
dc.titlePainting in Paris: Vincent van Gogh, 1886-1888
dc.typeText
dc.type.genreThesis/Dissertation
dc.contributor.committeememberSilk, Gerald D.
dc.contributor.committeememberWest, Ashley D.
dc.contributor.committeememberSingletary, Suzanne M.
dc.description.departmentArt History
dc.relation.doihttp://dx.doi.org/10.34944/dspace/2768
dc.ada.noteFor Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu
dc.description.degreePh.D.
refterms.dateFOA2020-11-03T16:23:51Z


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