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    Painting in Paris: Vincent van Gogh, 1886-1888

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    Genre
    Thesis/Dissertation
    Date
    2015
    Author
    DiMarco, Christa Rose
    Advisor
    Dolan, Therese, 1946-
    Committee member
    Silk, Gerald
    West, Ashley D.
    Singletary, Suzanne
    Department
    Art History
    Subject
    Art History
    Allotments
    Impressionism
    Industry
    Neo-impressionism
    Paris
    Symbolism
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/2786
    
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    DOI
    http://dx.doi.org/10.34944/dspace/2768
    Abstract
    In Painting in Paris: Vincent Van Gogh, 1886-1888, Christa DiMarco explores the two-year period Van Gogh lived and worked in Paris. The paintings the artist made in The Netherlands, where he lived prior to Paris, and those he produced in Arles, where he moved afterward, usually receive scholarly attention. The imagery from the artist’s time in the capital is generally marginalized. DiMarco considers how and why the artist used a brighter palette and energetic brushwork while painting in Paris. Considering that his artistic practice spanned only a decade from 1880 to 1890, the artist’s time in the capital represents a significant period of growth in terms of his engagement with the art market, his exposure to avant-garde imagery, and his understanding of Symbolist theory in the visual arts. Van Gogh accomplished significant goals in Paris, though some of his well-developed imagery does not necessarily figure into discussions regarding the canonical paintings of the artist’s body of work. Attention to the Paris-period not only locates Van Gogh’s pictorial development within the context of the Impressionists and Neo-Impressionists, but also establishes the ways in which the artist diverged from the artistic aims of the Parisian avant-garde, such as Claude Monet and Camille Pissarro, as he developed his Symbolic approach.
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