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    AUTHORITATIVE LETTERS JEANNE DE CHANTAL AND FEMININE AUTHORITY IN THE EARLY MODERN CATHOLIC CHURCH

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    Genre
    Thesis/Dissertation
    Date
    2014
    Author
    Davis, Elisabeth Claire
    Advisor
    Krueger, Rita
    Committee member
    Levitt, Laura, 1960-
    Department
    History
    Subject
    History
    History, European
    Women's Studies
    Confessor/penitent Letters
    Early Modern Catholicism
    Early Modern Convents
    Early Modern Nuns
    Early Modern Women
    Jeanne De Chantal
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/2759
    
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    DOI
    http://dx.doi.org/10.34944/dspace/2741
    Abstract
    The early modern period of a time of religious renewal and upheaval that resulted in a wealth of new religious orders, particularly those for women. During this period of change, Catholic women responded to the threat of Protestantism by adapting the convent to their own needs. One of the most successful orders for women was the Congregation of the Visitation, founded by Jeanne de Chantal and François de Sales. The history of the Visitation tends to focus on de Sales rather than its cofounder de Chantal. This thesis attempts to reconcile this omission, detailing de Chantal's ability to demonstrate and enact her authority through the mode of letters. In doing so, this paper enters into a conversation on religious revival in the early modern period by illustrating the porous nature of the early modern convent and the role women had in shaping early modern religiosity.
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      Milton, Early Modern Culture, and the Poetics of Messianic Time

      Miller, Shannon; O'Hara, Daniel T., 1948-; Miller, Nichole E.; Song, Eric B., 1979- (Temple University. Libraries, 2014)
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      Constructing Identity: Image-Making and Female Patronage in Early Modern Europe

      Cooper, Tracy Elizabeth; Hall, Marcia B. (Temple University. Libraries, 2011)
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      PERFUMING POSTERITY: SMELL AS IDENTIFIER AND PRESERVER OF EARLY MODERN SPANISH CULTURE

      Piera, Montserrat; Soufas, Teresa Scott; Soufas, C. Christopher, Jr., 1948-; Miller, Shannon (Temple University. Libraries, 2012)
      This doctoral dissertation examines the presence and function of the sense of smell in Early Modern Spanish literature. It studies the use of the olfactory in key works of the period and analyzes how each one reflects a certain contemporary aspect of Spanish culture and society. Though its role in literature has not been considered as widely as that of the other senses, smell's indubitable presence in the works and its unique qualities allow for a singular approach to the texts in question as they serve to preserve the beliefs, themes and trends of Renaissance and Golden Age Spain. This work analyzes four texts, one from the late Middle Ages and three from the Early Modern period: Fermoso cuento de una santa enperatrís que ovo en Roma & de su castidat (14th century); La Celestina, Fernando de Rojas (1499); Don Quijote, Miguel de Cervantes y Saavedra (1605 and 1615); "La inocencia castigada," María de Zayas (in Desengaños amorosos - 1647). These selected works permit an analysis of the function of smell within a variety of themes and across the span of the period. Serving to orient us in our search for literary scent, Chapter 1 presents considerations for the study of the olfactory in literature - how the senses have been perceived over time, how smell differs from the other senses and how smells are represented verbally. Chapter 2 deals with Fermoso cuento de una santa enperatrís que ovo en Roma & de su castidat and the way that the medieval saint-sinner dichotomy is reflected in pleasant and foul smells, respectively. Chapter 3 reviews the historical, cultural and social changes that took place in Iberia from the end of the Middle Ages into the Early Modern period to better understand changing perceptions and how they appear in literature during this time. Chapter 4 studies La Celestina and the title character's sensorial (olfactory) manipulation of others in the work. Chapter 5 looks at the role of smell, contrasted with the other senses, in Don Quijote's creation of Dulcinea. Chapter 6 analyzes the martyrdom of women in marriage as presented through smell in "La inocencia castigada." The epilogue briefly considers the role of smell in Lazarillo de Tormes and its implications for further study of the olfactory in literature.
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