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dc.contributor.advisorSobel, Edward
dc.creatorCarlson, Elizabeth J.
dc.date.accessioned2020-11-03T16:23:32Z
dc.date.available2020-11-03T16:23:32Z
dc.date.issued2015
dc.identifier.other920555136
dc.identifier.urihttp://hdl.handle.net/20.500.12613/2663
dc.description.abstractThis thesis is a partial documentation of the process of preparing and rehearsing Temple University Theatre's 2015 production of Tom Stoppard's Arcadia, and the ways in which the process was artistically challenging and personally transformative. It is a demonstration of the manifold procedure of discovering action through language in the rehearsal process, the essential relationship of language to behavior in all collaborative practice and both the embrace of constructive conflict and the fundamental exercise of self-reflection as the primary catalysts for artistic development.
dc.format.extent77 pages
dc.language.isoeng
dc.publisherTemple University. Libraries
dc.relation.ispartofTheses and Dissertations
dc.rightsIN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectTheater
dc.titleEven in Arcadia: Conflict, Certainty, and Self-Perception whilst Directing Tom Stoppard's Iconic Play
dc.typeText
dc.type.genreThesis/Dissertation
dc.description.departmentTheater
dc.relation.doihttp://dx.doi.org/10.34944/dspace/2645
dc.ada.noteFor Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu
dc.description.degreeM.F.A.
refterms.dateFOA2020-11-03T16:23:32Z


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