"HE WAS DESPISED" IN WRITING AND PERFORMANCE: A STUDY OF VOCAL ORNAMENTATION IN ONE ARIA FROM HANDEL'S MESSIAH USING OBJECTIVE AND SUBJECTIVE LISTENING PRACTICE
Genre
Thesis/DissertationDate
2010Author
Silverberg, Misoon GhimAdvisor
Anderson, Christine L.Committee member
Cho, Philip Y.Zohn, Steven David, 1966-
Bolton, Beth M.
Department
Music PerformanceSubject
MusicAnalysis of Recordings
Early Music
Handel's Messiah
Historically Informed Performance
Postmodern Subjectivity
Vocal Ornamentation
Permanent link to this record
http://hdl.handle.net/20.500.12613/2390