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    Corporeal Modernity: Shared Concepts in the Work of Jackson Pollock, Martha Graham, and Merce Cunningham

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    Genre
    Thesis/Dissertation
    Date
    2012
    Author
    Lynch, Regina
    Advisor
    Braddock, Alan C., 1961-
    West, Ashley D.
    Committee member
    West, Ashley D.
    Department
    Art History
    Subject
    Art History
    Dance
    American Studies
    Abstract Expressionism
    Jackson Pollock
    Martha Graham
    Merce Cunningham
    Modern Dance
    Modernism
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/1794
    
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    DOI
    http://dx.doi.org/10.34944/dspace/1776
    Abstract
    Although working in two different mediums, Jackson Pollock, Martha Graham, and Merce Cunningham created works during the 1940s and 1950s that share several analogous formal characteristics, as well as a body-centered process that reminded viewers of both the corporeality of the artists and of themselves. My thesis identifies and interprets the formal analogies evident in each the artists' approach to asymmetry, repetition, gravity, and space. I argue that the common aspects among the works of the three artists resulted from their participation in a shared modernist discourse circulating post-war America, especially in New York. This discourse provided the artists access to common sources of inspiration, such as the writings of Carl Jung, Native American imagery, and Asian cultures. Each of these elements characterizes the work of all three artists, along with similar ideas concerning the individual, national identity, and modern technology.
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