• Login
    View Item 
    •   Home
    • Theses and Dissertations
    • Theses and Dissertations
    • View Item
    •   Home
    • Theses and Dissertations
    • Theses and Dissertations
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Browse

    All of TUScholarShareCommunitiesDateAuthorsTitlesSubjectsGenresThis CollectionDateAuthorsTitlesSubjectsGenres

    My Account

    LoginRegister

    Help

    AboutPeoplePoliciesHelp for DepositorsData DepositFAQs

    Statistics

    Most Popular ItemsStatistics by CountryMost Popular Authors

    REMEMBERING AND REPRESENTING DANCE: RE-TRACING THE GENEALOGY OF NONFICTIONAL ANALOG DANCE MEDIA IN THE FORMATION OF THE NORTH AMERICAN DANCE FIELD

    • CSV
    • RefMan
    • EndNote
    • BibTex
    • RefWorks
    Thumbnail
    Name:
    Jeong_temple_0225E_11049.pdf
    Size:
    190.3Mb
    Format:
    PDF
    Download
    Genre
    Thesis/Dissertation
    Date
    2012
    Author
    Jeong, Ok Hee
    Advisor
    Kahlich, Luke C.
    Committee member
    Welsh-Asante, Kariamu
    Cagle, Paul Chris
    Jhala, Jayasinhji
    Department
    Dance
    Subject
    Dance
    Film Studies
    American Studies
    Dance Media
    Dance Preservation
    Dance Representation
    Dance Studies
    Nonfictional Media
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/1631
    
    Metadata
    Show full item record
    DOI
    http://dx.doi.org/10.34944/dspace/1613
    Abstract
    This dissertation shed light on the hitherto overshadowed area of nonfictional analog dance media by contextualizing and historicizing it within the North American dance field. It is a revisionist historiography examining how nonfictional dance media has been conceptualized, regulated, and institutionalized in tandem with the North American dance field's agenda of legitimizing dance as an artistic and academic field. Approaching the discursive shape of nonfictional analog dance media as a unique cultural construction, I argue that nonfictional dance media is not a simple stand-in for live dance, but an ambiguous and ambivalent object reflecting our beliefs and desires projected on dance. Thus, I suggest that nonfictional dance media provides a strategic setting for reconsideration of the operation of the dance field, especially that of North America. The research questions this study addresses include the following: how was the field of nonfictional dance media formulated and institutionalized according to the North American dance field's agenda of legitimizing dance as an artistic and academic field; how has nonfictional dance media constituted and reconceptualized the knowledge claims in the dance field by preserving and representing dance; and how has the discourse of nonfictional media resonated with the discourse of dance in modernity? As a historiography, I re-write the genealogy of nonfictional analog dance media within the formation of the North American field between 1927 and the 1980s. Also, for case studies, I compare the New York Public Library's Dance Division and the George Balanchine Foundation Video Archives to examine the discourse of dance preservation, while analyzing the schism between the intention and the reception of an ambitious TV dance program Dancing (Channel 13/WNET, 1993) to examine the discourse of dance representation. In so doing, I explore how nonfictional dance media has shaped and been shaped by the North American dance field's internal conceptualization of dance knowledge and external advocacy of legitimizing dance in its society. This study suggests that nonfictional dance media is--just as dance is--a phenomenon with cultural, economic, and political implications and imbalances. Particularly highlighting that media's duality of an icon and an index corresponds with the conceptualization of dance as choreography and performance, I further find that this duality resonates with the ambivalent desires of the modernist temporality. While time has been rationalized, the attraction of contingency has also increased in reaction to it. Similarly, while nonfictional analog dance media has been rationalized, controlled, and institutionalized according to the American dance field's agenda of legitimizing dance, this effort of rationalization not only raised the criteria of knowledge claims but also enhanced the attraction of the irrational, contingent aspect of dance. Given that, this dissertation argues that nonfictional dance media is not a simple imprint of dance but the barometer of ambivalent and fluid beliefs and desires projected on it.  
    ADA compliance
    For Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu
    Collections
    Theses and Dissertations

    entitlement

     
    DSpace software (copyright © 2002 - 2023)  DuraSpace
    Temple University Libraries | 1900 N. 13th Street | Philadelphia, PA 19122
    (215) 204-8212 | scholarshare@temple.edu
    Open Repository is a service operated by 
    Atmire NV
     

    Export search results

    The export option will allow you to export the current search results of the entered query to a file. Different formats are available for download. To export the items, click on the button corresponding with the preferred download format.

    By default, clicking on the export buttons will result in a download of the allowed maximum amount of items.

    To select a subset of the search results, click "Selective Export" button and make a selection of the items you want to export. The amount of items that can be exported at once is similarly restricted as the full export.

    After making a selection, click one of the export format buttons. The amount of items that will be exported is indicated in the bubble next to export format.