Negotiating Queer Female Identities: Reading and Reception of Showtime's "The L-Word"
dc.contributor.advisor | Darling-Wolf, Fabienne | |
dc.contributor.advisor | Kitch, Carolyn L. | |
dc.creator | Kern, Rebecca Lynne | |
dc.date.accessioned | 2020-10-26T19:19:47Z | |
dc.date.available | 2020-10-26T19:19:47Z | |
dc.date.issued | 2009 | |
dc.identifier.other | 864884621 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12613/1599 | |
dc.description.abstract | The past decade has witnessed an increase in queer-themed television. Cable networks, including Bravo, HBO, Showtime, and most recently LOGO, have also begun writing and airing programming with queer characters in the primary roles as well as focusing on themes relating to the gay community. Shows, such as Queer as Folk and The L-Word, while primarily written for a queer viewing audience, have been mass marketed and have had strong viewership outside of the queer community. The L-Word is unique in that it is the first show to focus on the lives and relationships of non-heterosexual women, thus making it the first show to subvert gendered and sexual norms relating to the female sex/gender. Using ethnography, this study builds upon previous textual analyses by examining how audiences of Showtime's The L-Word construct and interpret queer female identities. The problem is not of accurate representations in media, but rather, the necessity of understanding constructions of gender and sexual expression and representation. In addition, it is necessary to examine how audiences negotiate media texts about oppressed identities and if these negotiations help to perpetuate dominant ideals regarding gender, gender roles, and heterosexuality. This study analyzes how viewers' individual experiences and ideologies help to construct their own identities and their negotiation of television images and texts, and how new modes of understanding influence social relations concerning gender and sexuality difference. Inspired by the works of discourse, feminist, and queer theory, this study examines audience interpretations constructed about the queer female community after viewing The L-Word. | |
dc.format.extent | 311 pages | |
dc.language.iso | eng | |
dc.publisher | Temple University. Libraries | |
dc.relation.ispartof | Theses and Dissertations | |
dc.rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available. | |
dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | |
dc.subject | Mass Communications | |
dc.subject | Gender Studies | |
dc.subject | American Studies | |
dc.subject | Gender | |
dc.subject | Queer | |
dc.subject | Sexuality | |
dc.subject | Television | |
dc.subject | The L-word | |
dc.title | Negotiating Queer Female Identities: Reading and Reception of Showtime's "The L-Word" | |
dc.type | Text | |
dc.type.genre | Thesis/Dissertation | |
dc.contributor.committeemember | Maynard, Michael L. | |
dc.contributor.committeemember | Gratson, Scott | |
dc.contributor.committeemember | Bacon, Jennifer | |
dc.description.department | Mass Media and Communication | |
dc.relation.doi | http://dx.doi.org/10.34944/dspace/1581 | |
dc.ada.note | For Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu | |
dc.description.degree | Ph.D. | |
refterms.dateFOA | 2020-10-26T19:19:47Z |