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    DANCING AMBIVALENCE: A CRITICAL ANALYSIS OF MARK MORRIS' CHOREOGRAPHY IN DIDO AND AENEAS (1989), THE HARD NUT (1991), AND ROMEO AND JULIET, ON MOTIFS OF SHAKESPEARE (2008).

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    Genre
    Thesis/Dissertation
    Date
    2012
    Author
    Jae, Hwan Jung
    Advisor
    Kahlich, Luke C.
    Committee member
    Meglin, Joellen A.
    Margolis, Joseph, 1924-
    Kreinberg, Steven
    Department
    Dance
    Subject
    Dance
    Art Criticism
    Ambivalence
    Gender and Sexuality
    Mark Morris
    Musicality
    Narrative
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/1519
    
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    DOI
    http://dx.doi.org/10.34944/dspace/1501
    Abstract
    Mark Morris is deeply engaged with dance traditions and the classics, but he transforms them into modern, eclectic pieces. He often dissolves the distinctions between reality and fantasy, and good and evil, emphasizing reconciliation and love. Morris sculpts his own story and characters from musical elements within the overarching musical structure, portraying the characters and their emotions through detailed variations of movement quality. Characterizing Morris' dual attitudes as ambivalence, this study aims to highlight the dynamic structure and complexity of meaning in his works. I suggest that Morris' ambivalence is related to his perspective, the way he sees the world.
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