DANCING AMBIVALENCE: A CRITICAL ANALYSIS OF MARK MORRIS' CHOREOGRAPHY IN DIDO AND AENEAS (1989), THE HARD NUT (1991), AND ROMEO AND JULIET, ON MOTIFS OF SHAKESPEARE (2008).
Genre
Thesis/DissertationDate
2012Author
Jae, Hwan JungAdvisor
Kahlich, Luke C.Committee member
Meglin, Joellen A.Margolis, Joseph, 1924-
Kreinberg, Steven
Department
DancePermanent link to this record
http://hdl.handle.net/20.500.12613/1519