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dc.contributor.advisorLatham, Edward David
dc.creatorFuter, Paul Edward
dc.date.accessioned2020-10-26T18:26:01Z
dc.date.available2020-10-26T18:26:01Z
dc.date.issued2016
dc.identifier.other965642374
dc.identifier.urihttp://hdl.handle.net/20.500.12613/1251
dc.description.abstractThis monograph will serve as a guide to musicians for the preparation and performance of three new works by three living composers: Trumpet Sonata (2010) by Anthony Plog, Running at the Top of the World (2012) by Martin Rokeach, and Sonata - for trumpet and piano (2007) by Charles Reskin. Included will be sections or chapters on the history and background of each work, biographical information about each composer, detailed theoretical analysis and exclusive interviews with the composers. Each individual interview will provide insight into the music, including information on personal inspiration and imagery, a strong focus on timbre, tips and pointers on putting everything together with piano, thematic elements, and theoretical insights. The detailed analysis included in this dissertation will examine these three works further for their idiomatic use of instrumentation, phrasing, articulation, muting, tempi, and dynamics. Suggestions are given for each of these topics viz. interpretation and performance. With regard to my theoretical approach in this monograph, I will be using a variety of methods developed by important theorists including Hugo Riemann and Paul Hindemith. The work of the latter will be expanded upon substantially because Charles Reskin pays special homage to Hindemith in the third movement of his sonata. In my three analytical studies, I will argue that each composer chooses specific chords for a particular structural or semiotic reason. I will also draw important connections between various types of motivic material and discuss other techniques that each composer uses to provide cohesion among movements.
dc.format.extent175 pages
dc.language.isoeng
dc.publisherTemple University. Libraries
dc.relation.ispartofTheses and Dissertations
dc.rightsIN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectMusic
dc.subjectFine Arts
dc.subjectPerforming Arts
dc.subjectPaul Futer
dc.subjectPlog
dc.subjectReskin
dc.subjectRokeach
dc.subjectRunning at the Top of the World
dc.subjectTrumpet
dc.titleDISCOVERING THREE NEW SOLO WORKS FOR TRUMPET: A GUIDE TO THE HISTORY, ANALYSIS, AND PREPARATION OF ANTHONY PLOG’S SONATA, MARTIN ROKEACH’S RUNNING AT THE TOP OF THE WORLD, AND CHARLES RESKIN’S SONATA FOR TRUMPET AND PIANO
dc.typeText
dc.type.genreThesis/Dissertation
dc.contributor.committeememberThreinen, Emily
dc.contributor.committeememberFolio, Cynthia
dc.contributor.committeememberWillier, Stephen Ace, 1952-
dc.description.departmentMusic Performance
dc.relation.doihttp://dx.doi.org/10.34944/dspace/1233
dc.ada.noteFor Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu
dc.description.degreeD.M.A.
refterms.dateFOA2020-10-26T18:26:01Z


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