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    Webs of Interactions: International Perspectives on Cultural Music Mediation Among Adults and Young Children

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    Genre
    Thesis/Dissertation
    Date
    2013
    Author
    Filsinger, Kerry Bradley
    Advisor
    Reynolds, Alison (Alison M.)
    Committee member
    Bolton, Beth M.
    Zohn, Steven David, 1966-
    Latham, Edward David
    Department
    Music Education
    Subject
    Education, Music
    Education, Early Childhood
    Early Childhood
    International
    Music Environments
    Narrative
    Phenomenology
    Qualitative
    Permanent link to this record
    http://hdl.handle.net/20.500.12613/1211
    
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    DOI
    http://dx.doi.org/10.34944/dspace/1193
    Abstract
    In this qualitative phenomenological inquiry, I explore how an international group of early childhood music teachers describe creating music-learning environments for young children. As members of the Early Childhood Music Education Commission of the International Society for Music Education, the nine research participants share a common interest in contributing to early childhood music education. I was interested in understanding how members of that group perceived creating music-learning environments for young children. I wondered: What are early childhood music teachers' perceptions of music-learning environments for young children; What shapes their perceptions; and How do early childhood music teachers strive to create an environment conducive for young children's music learning? Using tenets of narrative inquiry, I restory this study as a conversation in a coffee shop. Imagine there's an international early childhood music conference in your town. During a conference break, I walk into your favorite coffee shop. You stand in a long line waiting to order. I walk in and take my place behind you in line, and we begin a conversation about children's music learning. Eventually, colleagues who are attending the conference (i.e., the nine research participants) join us. During our conversation, you and I discuss our experiences with understanding and creating early childhood music-learning environments. Next, we talk with the nine research participants about how they create music-learning environments for young children and I reveal the essence of their shared experience: participants view themselves as cultural music mediators, believing it is their job to mediate music interactions among adults and young children. Finally, you and I discuss implications for parents, early childhood music teachers, early childhood general education teachers, and pre-service music and general education teachers. We talk about ways they can become cultural music mediators, and create webs of music interactions for adults and young children. After reading this study, I invite you to visit my Facebook page, Music-Learning Environments for Young Children, to contribute thoughts and questions.
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