A MUSICAL ANALYSIS OF HOW MARY PRIESTLEY IMPLEMENTED THE TECHNIQUES SHE DEVELOPED FOR ANALYTICAL MUSIC THERAPY
| dc.contributor.advisor | Bruscia, Kenneth E. | |
| dc.contributor.advisor | Aigen, Kenneth | |
| dc.creator | Cooper, Michelle L. | |
| dc.date.accessioned | 2020-10-21T14:27:10Z | |
| dc.date.available | 2020-10-21T14:27:10Z | |
| dc.date.issued | 2011 | |
| dc.identifier.other | 864885344 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.12613/1009 | |
| dc.description.abstract | This study examined how Mary Priestley musically implemented 15 Analytical Music Therapy (AMT) techniques for exploring conscious material, accessing unconscious material, and strengthening the ego. Using the Priestley archives at Temple University, the author listened to 96 recorded examples of individual AMT sessions with 31 adult clients that were made between the years 1975-1991 to examine and aurally identify the musical phenomena and patterns occurring in the musical implementation of AMT techniques. The results of the study present clinical considerations necessary for applying each AMT technique and the clinical/musical roles of the analytical music therapist. Finally, this study presents distinctions between traditional and contemporary AMT practice and implications for AMT training and supervision. | |
| dc.format.extent | 326 pages | |
| dc.language.iso | eng | |
| dc.publisher | Temple University. Libraries | |
| dc.relation.ispartof | Theses and Dissertations | |
| dc.rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available. | |
| dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | |
| dc.subject | Music | |
| dc.subject | Education, Music | |
| dc.subject | Analytical Music Therapy | |
| dc.subject | Improvisation | |
| dc.subject | Mary Priestley | |
| dc.subject | Music | |
| dc.subject | Therapy | |
| dc.title | A MUSICAL ANALYSIS OF HOW MARY PRIESTLEY IMPLEMENTED THE TECHNIQUES SHE DEVELOPED FOR ANALYTICAL MUSIC THERAPY | |
| dc.type | Text | |
| dc.type.genre | Thesis/Dissertation | |
| dc.contributor.committeemember | Flanagan, Edward | |
| dc.contributor.committeemember | Latham, Edward David | |
| dc.description.department | Music Therapy | |
| dc.relation.doi | http://dx.doi.org/10.34944/dspace/991 | |
| dc.ada.note | For Americans with Disabilities Act (ADA) accommodation, including help with reading this content, please contact scholarshare@temple.edu | |
| dc.description.degree | Ph.D. | |
| refterms.dateFOA | 2020-10-21T14:27:10Z |
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